Saturday, August 1, 2009
My favorite
Pieta
Michelanglo's last days
In his final days, Michelangelo could no longer sleep. He wanted to be alone and silence was what he wanted. He claim's the night was his friend. He made himself a helmet that a candle in it so that he could work through the night.
These are Michelangelo's words concerning his last days.
"I live alone and miserable, trapped as marrow under the bark of the tree. My voice is like a wasp caught in a bag of skin and bones. My teeth shake and rattle like the keys of a musical instrument. My face is a scarecrow. My ears never cease to buzz. In one of them, a spider weaves its web, in the other one, a cricket sings all night long. My rattling catarrh won't let me sleep. This is the state where art has led me, after granting me glory. Poor, old, beaten, I will be reduced to nothing, if death does not come swiftly to my rescue. Pains have quartered me, torn me, broken me and death is the only inn awaiting me.
Michelangelo died on February 18th, 1564, after a "slow fever." IT was said of Michelangelo that he left "his soul to God, his body to the earth, and his material possessions to his nearest relations." There was not much left in his house because he had burnt most of it.
Lionardo Buonarroti, Michelanglo's nephew, took his uncle's body to Florence. Here the remains were taken to Santa Croce (where Michelangelo himself h ad wanted to be buried). There was a large attendance at the funeral to celebrate the life of a beloved artist.
The Final Materpiece
Here our Michelangelo's own words on his final masterpiece.
"the course of my life has finally reached In its fragile boat, over stormy seas The common port where we must account For all our past actions. No painting or sculpture can quiet my soul, Now turned to the Divine Love that opens To embrace me in His arms." "For ten years of sleepless nights, I've been designing a Pieta. The body of our Lord was too heavy with death to be held up by his old Mother. His head...too earthy with matter, too real...so I cut away the Lord's head and shoulders, leaving only his arm as a model for a new one, and carved a new head from the Virgin's shoulder. He backs inward to fuse with his Mother's body, as she bends forward to raise him up. Mother and Son, the Living and the Dead, become One - Death becomes a Resurrection."
Friday, July 31, 2009
Letters on St. Peter's Basilica
The following is a part of a letter Michelangelo wrote to his nephew concerning the work he wanted to do for God.
"Many believe, -- and I believe -- that I have been designated for this work by God. In spite of my old age, I do not want to give it up; I work out of love for God and I put all my hope in Him."
The following is a letter Michelangelo wrote about being harassing to get the work done.
"I spend my days supervising the construction of St. Peter's. The Vatican's financial superintendent keeps harassing me for a progress report. My response: your lordship, I am not obliged to, nor do I intend to, tell you anything. Your job is to keep the money rolling in, and out of the hands of thieves. I will see to the building."
This is part of a letter Michelangelo wrote to Giorgio Vasari about finishing the building."So, Vasari, God wants me to encumber him for a few more years. I know you will tell me I am a crazy old man to write sonnets -- but since many people say that I have become gaga, I have to live up to my reputation. I can feel through your letter the affection you feel for me. Yes, I would like to move my old bones next to those of my father, as you beseech me to do. But if I left Rome, I would feel guilty of dooming Saint Peter's to failure, and that would be a great shame and a deadly sin. When enough of the construction is done and nothing can be changed to it any more, I hope to follow your advice -- when it is no longer important to frustrate the appetites of those who hope that I will leave soon."
Michelangelo, the Architect
St. Peter's Basilica
Michelangelo's crowning achievement as an architect was his work at St. Peter's Basilica, where he was made chief architect in 1546. The building was being constructed according to Donato Bramante's plan, but Michelangelo became responsible for the altar end of the building on the exterior and its dome.
Michelangelo did not want pay for this work because he wanted to dedicated his last years to God and did not want payment for God's work.
The Last Judgement
After finishing the Medici Tombs, Michelangelo left Florence to return to Rome. When he arrived his was asked to design the Last Judgement. It would be painted by the Sistine chapel and would take four years to complete. This painting represents the day that Christ will judge us according to our acts. It shows Christ, with a clap of thunder, puts into motion the inevitable separation, with the saved ascending on the left side of the painting and the damned descending on the right into Dantesque hell.
During the painting, Michelangelo was accused of immortality because he drew naked figures. The person that accused him of doing this is in the painting, Michelangelo is showing him being skinned alive and being thrust to hell.
Thursday, July 30, 2009
Poem of The Medici Tombs
"It is my pleasure to sleep and even more to be stone:
As long as shame and dishonor may last,
My sole desire is to see and to feel no more.
Speak softly, I beg you, do not awaken me."
Wednesday, July 29, 2009
The Medici Tombs
The Medici Tombs
After the Sistine Chapels, Michelangelo undertook the project of the the Medici Tombs of the New Sacristy of San Lorenzo. The tombs called for two large wall tombs facing each other across the high, domed room. One was intended for Lorenzo de Medici, duke of Urbino; the other for, Giuliano de Medici duke of Nemours.
The tombs of the Medici were of a completely new form. Michelangelo abandoned the traditional archicture style. Michelangelo renounced Christian traditions in order to portray Humanity to our eyes. He gave names to the statues of the sarcophagi: Dawn, Dusk, Day and Night. These smbols represent the suffering mankind.
Work on the Medici Tombs continued long after Michelangelo went back to Rome in 1534.
Friday, July 24, 2009
A poem
This comes from dangling from the ceiling–
I'm goitered like a Lombard cat
(or wherever else their throats grow fat)–
it's my belly that's beyond concealing,
it hands beneath my chin like peeling.
My beard points skyward, I seem a bat
upon its back, I've breasts and splat!
On my face the paint's congealing.Loins concertina'd in my gut,
I drop an arse as counterweight
and move without the help of eyes.Like a skinned martyr I abut
on air, and, wrinkled, show my fat.
Bow-like, I strain toward the skies.No wonder then I size
things crookedly; I'm on all fours.
Bent blowpipes send their darts off-course.Defend my labor's cause,
good Giovanni, from all strictures:
I live in hell and paint its pictures.Michelangelo Buonarroti
Temptation and the Sistine Chapel
It seems at this point my blog is not allowing me to post pictures. Hopefully I can do that soon.
Monday, July 20, 2009
The Prophet Joel and the Sistine Chapel
Michelangelo painted 12 different prophets from the Bible on the ceiling of the Sistine chapel. One of the minor prophets that Michelangelo painted was Joel. He is famous for his scripture that reads, "Your sons and your daughters shall prophesy, your elderly shall dream dreams and your youth shall see visions"
Saturday, July 18, 2009
Noah and the Sistine Chapel
Thursday, July 16, 2009
Adam and Eve of the Sistine Chapel
Michelangelo painted three panels that included Adam and Eve that are found in the second and third chapters of Genesis.
The first panel is when God is reaching out to Adam about to give him life. This is the most famous and most recognized of the Sistine Chapel. The Central panel is God creating Eve from a sleeping Adam. The last panel shows Eve taking the forbidden fruit from the serpent, Satan and Adam taking the fruit from the tree. It also has the scene of Adam and Eve being kicked out of the Garden of Eve.
Monday, July 13, 2009
The Sistine Chapel
While Michelangelo was waiting to be paid for all his work that he had for the Catholic Church, the Church came to him and basically said, "if you don't do this painting for me, I will not pay you your money."Michelangelo painted the Sistine Chapel between 1508 and 1512. The Sistine chapel is the location for Papal Conclaves and many important service.
It has been told that Michelangelo hardly ever left the Chapel while he was painting it. He would sleep on the scaffolding at night. He would also have his food brought to him and he would eat while he was painting. He hardly ever showered or change clothes. Supposedly, when he would finally take off his boots, pieces of skin would come off because he had been wearing them for so long.
The Sistine Chapel painting mainly consists of 9 stories from the book of Genesis, 12 prophetic figures, and the Last Judgment. The 9 stories from the book of Genesis are:
- The Separation of Light and Darkness
- The Creation of the Sun, Moon and Earth
- The Separation of Land and Water
- The Creation of Adam
- The Creation of Eve
- The Temptation and Expulsion
- The Sacrifice of Noah
- The Great Flood
- The Drunkenness of Noah
The Twelve prophets are:
- Jonah
- Jeremiah
- Persian Sibyl
- Ezekiel
- Erythraean Sibyl.
- Joel
- Zechriah
- Delphic Sibyl
- Isaiah
- Cumaean Sibyl
- Daniel
- Libyan Sibyl
Friday, July 10, 2009
The Moses
Besides the Moses, Pope Julius tomb contained many other pieces. He took 34 marbles for the whole tomb. Michelangelo had to pay for all of it out his own pocket. The Catholic Church was suppose to pay him back. They were very slow to do so and in never fully paid him back. He stuck around in Rome hoping to get his payment.
Wednesday, July 8, 2009
The David
After Michelangelo finished the Pieta, he returned to Florence to work on a piece called the David. He worked on it from 1501-1504. Many other editions of David, he shown after the victory of slaying Goliath. Michelangelo did not do this. Instead he carved David before the fight contemplating the fight that was about to come. The block of marble that David was carved from so huge that it could not be brought down from the mountain. Instead Michelangelo had to design and oversee the buidling of a new road from quarry down the mountain. People were so impressed with the statue they decided to put it in the town plaza instead of top of the cathedral. The original now stands in Florence. A duplicate stands in the town square.
Thursday, July 2, 2009
Pieta
Michelangelo did not sign his name on his artwork very often. But one night he overheard a man give credit of the Pieta to another sculptor. He became enraged. He wanted to make sure this did not happen again. He returned to his Pieta with his carving tools and carved his name on the sash across Mary's chest.
This is one my favorite pieces of Michelangelo. I think it shows emotions and feelings so well. The vein's in Christ's hands are so realistic.